
Many in Gen Z have written off Millennials as “cringe.”
For some Zoomers, the technology earlier than them’s happy-go-lucky disposition feels misplaced in as we speak’s more and more on-line, doomerist tradition.
Regardless of the backlash, early 2010s-style indie-rock has made a roaring comeback, pushed by curiosity from Gen Zers. The Strokes, Vampire Weekend, Cults and The 1975 are instantly soundtracking TikToks posted by youthful people indulging in Tumblr-era nostalgia.
INOHA, a four-piece band born and bred in San Antonio, is likely one of the surprising success tales stemming from the development.
If in case you have scrolled by means of Instagram Reels prior to now yr, there’s a very good probability you encountered INOHA with out even realizing it. The quartet’s first viral clip — now sitting at practically 3 million views — exhibits lead vocalist and rhythm guitarist Keanu Bicol standing in a purchasing cart, lip-syncing the one “Seventh Heaven.”
INOHA’s path is distinctly Gen-Z, and its surge of on-line consideration stemmed from the web’s new cultural gatekeepers: TikTok, Instagram and Discord.
Partly, that’s as a result of the band’s quirky DIY movies, similar to its promo for “Seventh Heaven,” are powered by the form of ardour and authenticity that may’t be manufactured. The clips stand in stark distinction to extra polished movies posted by different bands.
“I feel individuals resonated with the authenticity of the video,” mentioned Gavin Gonzales, INOHA’s lead guitarist. “It wasn’t recorded on a 4K digicam, simply on an previous Samsung telephone. You may actually see the pixels. Folks discovered it refreshing to not have that HD high quality.”
Paired with the music’s infectious tune, that clip and others that adopted catapulted the band from native upstart standing into being on-line faces of Gen Z’s indie-rock revival. That visibility got here in useful for the band because it launched its first album, ALOHA INOHA, in 2024.
“Music now’s 90% advertising, 10% precise artwork,” INOHA drummer Ricky Juarez mentioned. “Simply because we’ve got 150,000 individuals following us, that doesn’t imply 150,000 individuals are popping out to our present.”
That distinction between consideration and funding is one thing the band caught onto rapidly. Viral fame doesn’t all the time translate to our bodies in a membership, and it actually doesn’t translate into longevity.
“We’re not only a band on the Web that’s caught behind the display; you possibly can see us in particular person. You may come to our exhibits. And we’ll really play the music that you simply like,” Bicol mentioned.
Simply the identical, the viral content material did carry out crowds, which the band grew by means of fixed touring. INOHA’s stay exhibits have turn into rowdy affairs. Typically mosh pits get away like at hardcore exhibits, and youngsters and band members alike crowdsurf all through the set.
The band thinks again fondly on a present in Orlando the place the venue’s built-in crowd turned the evening into the wildest present its members have ever performed.
“We hopped in and began moshing early to get the power flowing, and by the point we reached our set, it boiled over,” Juarez recalled. “Continuous crowdsurfing, individuals leaping on one another, pits opening up. Even I used to be leaping off of stuff.”

San Antonio roots
A part of INOHA’s enchantment is how decided the members are to maintain their native connection. All 4 members — Bicol, Gonzalez, Juarez and bassist Chris Younger — have been raised in San Antonio.
Bicol and Gonzalez first performed collectively in a highschool band whose different members have been chronically late to apply. Whereas ready, the 2 would jam, evolving right into a “completely unserious facet undertaking” that ultimately grew to become their major focus.
Younger joined after sliding into their DMs, they usually met Juarez by means of an opportunity encounter at a document store.
Their musical backgrounds fluctuate broadly, encompassing nation, rap, dad rock, jazz, emo, pop-punk and extra. That eclecticism more and more exhibits up within the group’s songwriting. The brand new album This Would possibly Be Helpful, which dropped Sept. 4, is “in all places,” by the members’ personal admission.
The latest singles, “Are We Cool” and “All the pieces Is Nothing,” mix raspy emo vocals, pop hooks, lovelorn lyrics and heavy indie rock guitar, suggesting INOHA has outgrown a single-genre label.
“I feel that’s what I’m most happy with all, is the best way that our music bridges an entire bunch of individuals from completely different niches of music collectively,” Juarez mentioned.
If early-2010s indie was outlined by a curated cool, INOHA’s rewrite is outlined by sincerity. They reject the concept artists needs to be aloof. As a substitute, the band prioritizes accessibility.
“If I like your music, I need to know — who’re you?” Bicol mentioned. “We’re foolish … we love meals … we’re simply regular guys.”
That philosophy of sincerity has additionally guided their strategy to social media, particularly the band’s Discord server, which has turn into a hub for INOHA superfans. Members get early entry to merch, tour dates and unreleased songs.
Juarez mentioned he’ll typically reply emails at 2 a.m. whereas streaming a film, and followers will hop in to look at on the similar time.
It’s a far cry from the mystique that has appeared so central to artists’ manufacturers prior to now. However to the members of INOHA, it’s precisely what as we speak’s followers need.
San Antonio has by no means been generally known as an indie-rock metropolis, with its music scene as an alternative favoring metallic, punk, storage rock, Tejano and conjunto. And though these genres constructed robust followings, INOHA’s rise suggests the group is greater than an anomaly.
The band’s accelerating success looks as if an indication that the town’s youthful musicians are carving out area in a style that after felt coastal or inaccessible.

Subsequent up?
The brand new album This Would possibly Be Helpful is a fruits of two years of nonstop writing, touring and studying the best way to preserve tempo with INOHA’s personal momentum.
The band’s nationwide tour kicks off Saturday, Sept. 19, at Paper Tiger. The final San Antonio date got here near promoting out, and this time, they’re aiming for a full home.
“Our final objective is a very sold-out headlining tour,” Juarez mentioned. “All the pieces gone — VIP gone, basic gone. That’s the dream.”
However the band’s ambitions transcend ticket gross sales. They mentioned they need longevity — a profession that’s sturdy sufficient to survive algorithms and nostalgia cycles.
“We’re all the time making an attempt to develop and study,” Gonzalez mentioned. “Repair any leaky pipes, put out fires, work out the subsequent step. Even once we’re off tour, we’re working our asses off.”
And past that?
“My objective is to sooner or later play with the Strokes,” Bicol mentioned. “That’s the one.”
It’s a becoming, albeit audacious, aspiration for a gaggle whose sound seems like a South Texan reply to the early aughts indie increase.
INOHA’s rise, although, is completely of its personal making. As a substitute of chasing New York cool, the act is constructing a model rooted in scrappy perspective and San Antonio DIY ethos.
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